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The major distinction that identifies the Miami-style from other North American designs is the "Atras" or "Angled", back damaging steps executed backwards diagonally as opposed to relocating forwards and in reverse as seen in the New York style. Dancers do not shift their body weight significantly as seen in various other designs. Rather, dancers maintain their top body still, positioned and unwinded, concentrating on foot activity.

A major distinction between Cali Design and Miami-style is the latter is specifically danced on the downbeat (On1) and has elements of shines and show-style added to it, complying with collections of North American designs. Miami-style has many adherents, especially Cuban-Americans and other Latinos based in South Florida.

Many of the steps include swiftly swapping companions. "Rueda de Cuba" is initial type of Rueda, stemming from Cuba. It is not as official as Rueda de Miami and contains concerning 30 phone calls. [] It was codified in the 1970s. [] "Rueda de Miami" originated in the 1980s from Miami, is an official style with many rules based on a mix, and is a hybridization of Rueda de Cuba & North American dancing styles, with some routines mirroring American society (e.

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Coca-Cola, Dedo, Adios) which is not located in the traditional Cuban-style Rueda. Cali-Style Salsa, also recognized as Colombian Salsa and Salsa Calea, is based around the Colombian City of Cali. Cali is additionally referred to as the "Resources de la Salsa" (Salsa's Capital); as a result of salsa music being the primary style in celebrations, nightclubs and festivals in the 21st century.

Cali has the highest number of salsa schools and salsa teams in the world. The central feature is the maneuvering which has fast rapid actions and missing movements called "repique".

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They include different acrobats such as partnered turns to delight with these jaw going down stunts. Their maneuvering is elaborate and specific, aiding several Colombian Design professional dancers win major world championships. Cali hosts several yearly salsa occasions such as the Globe Salsa Cali Event and the Encuentro de Melomanos y Coleccionistas.

Researchers in the natural sciences examined the mathematics of salsa dance moves. In the social scientific researches, researchers have researched salsa dance to recognize, for example how the Latino identification is connected to salsa dancing.

Centro Journal. Fetched 2023-05-26. Salsa Vida.



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2019.1697579. ISSN1478-8810. Carwile, Christey (September 2017). "" The Clave Gets Home": Salsa Dance and Pan-African Identity in Ghana". African Studies Evaluation. 60 (2 ): 183207. doi:10. 1017/asr. 2017.6. ISSN0002-0206. " Salsa vs Bachata: What's the Difference?". https://www.metal-archives.com/users/salsacrazysf1. Salsa Vida. 2021-08-08. Gotten 2021-09-08. " Dance Styles". Salseros Mc, Gill. Gotten 2023-03-14. " Salsa & Latin Dancing Congresses"

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" Many Popular Kind Of Salsa Dance - The Modern Dancer". 2020-04-15. Retrieved 2022-09-27. " Salsa or Bachata, Which is Easier to Learn?". Lobbyists Salsa & Bachata Dancing Academy. Recovered November 9, 2023. Mc, Mains, Juliet (2015 ). Spinning Mambo Into Salsa. Oxford University Press. ISBN 9780199324644. Amanda Rosa. " Long time dancing teacher talks salsa, both 'Cuban style' and 'Miami design'".

The city of musical memory: salsa, document grooves, and preferred culture in Cali, Colombia. Salsa Vida SF. The Journal of Popular Culture.

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9 (2 ): 113125. doi:10. 1002/cb. 308. Holmqvist, Jonas; Diaz Ruiz, Carlos; Pealoza, Lisa (2020-08-01). " Moments of high-end: Hedonic avoidance as a deluxe experience". Journal of Business Research. 116: 503513. doi:. ISSN 0148-2963. S2CID 211427257. Diaz Ruiz, Carlos A.; Penaloza, Lisa; Holmqvist, Jonas (2020-01-01). " Putting together people: An assemblage believing technique to the characteristics of ephemerality within consumer tribes".

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We're talking concerning the dancing, not the tasty South American spice. The origins of words "Salsa" as the name of a dance has been a view website resource of argument for years. The most popular (and possibly approved) theory is that Cuban and Puerto Rican artists in New York coined the phrase in New york city in the 1970's, to define the spicy fusion of music they were creating out of the rhythms and motifs of Cuban boy montuno, guaracha, chachacha, mambo and bolero.

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